Tag Archives: –GLYNN COUNTY GA–

Queen Anne House, Brunswick

Brunswick Old Town Historic District, National Register of Historic Places

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Queen Anne House, 1889, Brunswick

Brunswick Old Town Historic District, National Register of Historic Places

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Folk Victorian House, 1895, Brunswick

It’s obvious that the porch, in its present configuration, is a later addition to this house. I’m unsure as to its original style; the date of 1895 is from a resource survey and may only be a guess. I hope to learn more.

Brunswick Old Town Historic District, National Register of Historic Places

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Shotgun Houses, Brunswick

With the growing popularity of small houses, shotgun houses have become hot properties in the broader real estate market. Quite a few survive in varying states of repair throughout Brunswick’s historic African-American neighborhood and instead of being seen as blight should be an opportunity for affordable historic housing. They were likely built from the late 19th and early 20th centuries.

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Central Hallway House, 1890, Brunswick

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Colored Memorial School, 1923, Brunswick

In 1870, the Freedmen’s School was established as the first public school for African-Americans in Brunswick. Colored Memorial High School, designed by Cloister architect Francis L. Abreu, was built adjacent to the Freedmen’s School in 1923* and named to honor African-American veterans of World War I. The Freedmen’s School was replaced by Risley High School in 1936 and served the community until 1955 when a new Risley High School was built elsewhere. It was named Risley School, for Captain Douglas Gilbert Risley, who advocated for the school as the head of the Freedmen’s Bureau.

*- The 1922 date on the building is the date the cornerstone was laid by Dr. H. R. Butler.

National Register of Historic Places

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Ahmaud Arbery Mural, Brunswick

Today, Ahmaud Arbery should be celebrating his 27th birthday with his family and loved ones, but on 3 February 2020, while jogging in a “white” neighborhood, he became yet another needless victim of racial violence. Unarmed, he was killed in cold blood by a retired law enforcement officer who apparently took offense to the mere presence of an athletic young black man in his neighborhood. This man presumed that Arbery’s race made him a suspect in a spate of recent robberies and acted as judge, jury, and executioner. To make matters worse, the local district attorney didn’t even think Arbery’s death met the definition of murder and charges weren’t brought against the perpetrators until it became a national news story. At this writing, the killer’s son and another man have also been charged not only with murder, but with hate crimes. As a white man, I am disgusted by the racists who committed the crime and the legal system’s abject but unsurprising failure.

The whole affair makes me angry but it’s nice to see this mural in the heart of Brunswick’s African-American community, on Albany Street. It was painted by Brunswick-born Miami artist Marvin Weeks and aims to educate and bring together all who deplore this inexcusable crime. The structure on which it is painted will soon become an African-American cultural center.

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Back River & Hammock, Glynn County

This is the Back River marsh [at high tide] on the north side of the F. J. Torras Causeway heading to St. Simons Island from Brunswick. I tried to find a name for the hammock, but couldn’t locate one. At this location, the Back River flows into Terry Creek and some of the residential marshlands of Brunswick.

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Baiting a Crab Trap, St. Simons Island

This gentleman [known on the island as The Original Crabman] was getting his crab trap ready when I was walking out to the end of the pier to photograph the progress on the Golden Ray cleanup effort. As is typical, he was using a chicken neck and fish head as bait. After dropping his trap in the water off the pier for just a few minutes, he brought it back up with several crabs.

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Huie House, 1928, St. Simons Island

This early example of the International Style, designed by Macon architect Fred Stroberg, uniquely employees the local building material known as tabby to make a bold statement about the past and the future. It has also been referred to as “Mediterranean House” and the outline of a shed roof on the side indicates it may have had such a decorative element at one time, but it’s decidedly International in appearance and spirit, making it an even more significant landmark.

The house is primarily associated with the late Mildred Weigle Nix Huie (1907-2000). A native of Augusta, Mrs. Huie received a degree in Classical Education from Florida State University. She and her husband Carl purchased the house in 1967 and it remained Mrs. Huie’s home and studio until her death. Mrs. Huie was an accomplished Impressionist painter, sculptor and historian, and upon establishing the Left Bank Art Gallery in 1962, became an integral part of the St. Simons cultural scene, through the fostering of other artists and the free access she provided to her own collection as well as philanthropic pursuits.

Mrs. Huie’s daughter, Millie Wilcox, maintained the home as the Mildred Huie Museum for more than a decade after her mother’s death.

The property was the first site acquired by the St. Simons Land Trust in 2018 and though the museum itself is closed, the grounds are a welcome respite from the busy commercial area of Frederica Road, open and free to all.

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